AquaLibs presents AquaRank Discover the world’s leading aquascapers

Explore transparent rankings built from published results across the world’s leading aquascaping contests.

[TheStoriesOfTop7] The Majestic Banyan - ChuanWei Yu/China - IAPLC 2024

This design results in an extremely well-conceived piece. The addition of a school of fish swimming enhances the illusion of a submerged giant tree, creating a fantastical atmosphere

IAPLC 2024 World Ranking Announcement - World Ranking 0005- Bronze Prize

The Majestic Banyan

Author:ChuanWei Yu / China

Aquarium Size/W1,200 x D600 x H500(mm)

Aquatic Plants

Leptochilus sp. 'Trident'

Riccardia chamedryfolia

Taxiphyllum sp. 'Flame Moss'

Anubias barteri var. nana

Bucephalandra sp.

Cryptocoryne sp.

Eleocharis pusilla

Hemianthus micranthemoides var.

Micranthemum tweediei

Bolbitis heudelotii

Hymenasplenium obscurum

Rotala wallichii

Rotala rotundifolia 'Green'

Hottonia inflata

Limnophila sessiliflora

Cabomba caroliniana

Pogostemon helferi

Taxiphyllum barbieri

Fish & Invertebrates

Parachelreden axelredi

Parachelreden innest

Pelitella georgiae

Carinotetraeden travancericus

Neccaridina davidi

AWARDS

World Ranking 0005 Bronze Prize IAPLC 2024

The fifth place (Bronze Prize), with a score of 1,021 points, went to Mr. Chuanwei Yu from China for the work "The Majestic Banyan". Five out of ten judges selected this work in their top ten, with Mr. Oliver Lucanus (Canada) choosing it as the Best Aquarium.

Comments from Mr. Oliver Lucanus (Canada)

I really liked the idea of taking an above water scene and translating it under the surface. The balance of light, with windows of the bright background shining through the tree in several places is very unique. Having seen cardinal tetras in nature many times, I think this is an ideal setup to keep the fish in their optimum colour. With the slow growing moss and Bolbitis I think this aquarium will keep it's general look well without too much maintenance. The lack of clear symmetry is perfect to my vision. With so many aquariums similar to each other I found that this was one of the entries that clearly stood out from the rest.

Comments

This is my second time participating in IAPLC, and I am deeply honored to have achieved a top 7 ranking. I would also like to express my heartfelt gratitude for the support and encouragement from IAPLC and the judges! Since my first encounter with aquascaping in 2021, ADA has been the greatest influence on me. Through ADA, I learned about the end- less possibilities of aquariums. With IAPLC, I was inspired by numerous outstanding works, which motivated me to improve my skills and knowledge. Seeing many senior aquascapers in my country achieve remarkable results gave me the confidence to take on the challenge myself. For this contest, I chose the theme of a banyan tree called "Dokushin Seirin," and, during the production process, I received valuable advice and experience from many seniors. I am especially grateful to last year's champion, Mr. Fan, for his guidance. I believe that IAPLC not only emphasizes visual beauty but also promotes designs that consider the habitat of aquatic organisms and the balance of ecosystems, aligning with SDGs principles. The judges are seasoned experts from all over the world, which makes IAPLC's evaluation process highly rigorous and fair. IAPLC is currently the most influential global aquascaping contest. I hope that IAPLC continues to grow, attracting even more participants, and that it brings forth innovative and excellent works that bring fresh energy to the aquarium world. I am thankful to IAPLC for bringing together aquascaping enthusiasts from around the world. I will continue to take on new challenges and strive for further progress. Finally, I would like to express my profound respect for Mr. Takashi Amano and my deep gratitude for his outstanding contributions to the aquarium world

Leave your comments
Latest on News & Press
  • Analyse Spain aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Spain at IAPLC 2026: Roberto Buenadicha’s Forest and the Space Between Trunks

    Roberto Buenadicha’s aquarium is the only Spanish work in the published ranks 1–300. Its slender dark trunks, fine green planting and conspicuous pale fish make it a rewarding individual study. This instalment returns to the older Spain introduction through one photograph, keeping the scope small enough for the evidence available.
  • Analyse France aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    France at IAPLC 2026: A Close Reading of Jean Christophe Grosset’s Woodland

    Only one French work appears in the published ranks 1–300. That gives this instalment a different task: a close reading of Jean Christophe Grosset’s aquarium, with the older country introduction as context. The photograph deserves attention for its own wood, planting and fish relationships, rather than being made to represent every French aquascaper.
  • Analyse Singapore aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Singapore at IAPLC 2026: Open Stone and an Enclosed Planted Passage

    Two Singaporean works appear in the published ranks 1–300, and they offer an unusually clear contrast. One makes open water and two main stones central; the other encloses a small rear opening within dense planting and roots. The pair is useful precisely because it does not support one simple visual label.
  • Analyse Hong Kong aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Hong Kong at IAPLC 2026: Three Studies in Light, Layers and Visual Impact

    A low timber ceiling, blue-toned terraces and converging planted diagonals create three visibly different aquariums. Hong Kong’s represented works at ranks 1–300 offer a compact study of visual impact beyond the season’s leading awards. Looking at them closely is more informative than treating the cutoff count as a verdict on an entire aquascaping community.
  • Analyse Italy aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Italy at IAPLC 2026: Calm Routes and More Dramatic Planted Frames

    A clear route through planted banks can feel quiet; a coloured ridge beneath a dark frame can feel theatrical. The four Italian photographs selected for this study offer both experiences. Together, they make a useful contemporary comparison with an archive that once placed particular emphasis on calm, enduring-looking compositions.
  •  Analyse United States aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    United States at IAPLC 2026: Four Distinct Readings of a Wooded Aquarium

    The four American photographs selected here all contain important wood structures, yet they do not produce one uniform wooded scene. A broad canopy, a low diagonal, a fine-leaved light window and an exposed timber subject organise attention differently. That variation lets us discuss design diversity through specific decisions rather than a broad national label.
  • Analyse Germany aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Germany at IAPLC 2026: Four Ways to Balance Hardscape and Open Water

    A dark wooded frame, a rocky valley, a brighter mixed scene and green-covered root contours make this German selection particularly useful for comparison. The photographs share an interest in separating materials from the water around them, but achieve it through different outlines and lighting relationships.
  • Analyse Taiwan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Taiwan at IAPLC 2026: Planted Contours and Changing Routes into Depth

    Dense foliage, planted wood ridges and a low central route create different senses of distance in this four-work selection. The photographs are particularly rewarding when viewed through changes in leaf shape and planting height. They offer a present-season comparison with an archive that once described both graceful composition and more contemporary experimentation.
  •  Analyse Thailand aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Thailand at IAPLC 2026: Surface Colour, Green Arches and Open Rockwork

    Three Thai aquariums in the published Top 300 present contrasting visual priorities. MAGIC LEAVES makes the water surface a signature; another work carries a route beneath planted arches; a third exposes rock peaks against rounded greenery. This small group gives a useful reason to look beyond the first shared award photograph.
  • Analyse Indonesia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Indonesia at IAPLC 2026: Forest Craft Through Four Different Frames

    The four Indonesian works published at ranks 1–300 offer a compact comparison. A coloured surface canopy, a dominant trunk, a dense grove and a wood-and-rock opening all reward close attention. The small group makes it possible to examine every represented work in this range, while keeping the conclusions specific to this season and cutoff.
  • Analyse Malaysia aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Malaysia at IAPLC 2026: Wood, Plant Texture and the Visual Role of Fish

    A bright gap between broad wood layers, a fine-leaved canopy and a conspicuous individual fish offer three different entrances to this Malaysian selection. The photographs invite attention to the space inhabited by fish as well as the hardscape around it. They also show why a creator’s reputation and a new aquarium’s visual decisions should be discussed separately.
  • Analyse Brazil aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Brazil at IAPLC 2026: Rock Landscapes and Wood Beyond the Familiar Label

    Enchanted Hills offers an immediately recognisable rock valley, with coloured planting and fish in bright water. Three other selected Brazilian photographs build their scenes around substantial wood. Seeing them together is a useful way to revisit a familiar label without asking individual creators to fit a single national recipe.
  • Analyse Japan aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    Japan at IAPLC 2026: Nature Aquarium and Many Contemporary Visions

    A pale path through hanging roots and a bright interval between exposed rocks can both make an aquarium feel spacious. Japan’s 2026 selection is rewarding because it places these different approaches beside richly planted foregrounds and coloured slopes. Six photographs offer a practical way to discuss variety within a familiar Nature Aquarium heritage.
  • Analyse China aquascapes at IAPLC 2026, then explore the country’s results, contributing creators and competition history on AquaRank Nations.

    China at IAPLC 2026: How Layered Wood Creates Convincing Depth

    The Grand Prize photograph gives this study an obvious first stop, but the comparison becomes richer when it reaches beyond the winner. Six selected aquariums show different ways of framing light with wood: unequal trunks, fine leaf curtains, successive arches and repeated vertical roots. Their interest lies in how each arrangement keeps a densely constructed scene readable.
  • Vietnam at IAPLC 2026: Wood, Stone and a Broader Design Identity

    Vietnam’s two leading 2026 awards both invite us into wooded environments. That is an interesting starting point for revisiting an archive which once associated the country strongly with stone. The most useful reading is not that one material has defeated the other. Six selected photographs show several ways of organising planted ground, open water and the route into a scene.
  • Use the existing CIAC cover style with the wording “CIAC 2026 / OFFICIAL RESULTS / RANKINGS TO 119”. Use an actual contest photograph; do not claim “119 entries” or “full results”.

    CIAC 2026 Official Results Update: Rankings Extend to 119

    The CIAC 2026 Aquascaping Category results have received an official update. A results sheet distributed by the organising committee on 14 October lists ranks 14–119, extending the ranking information available beyond the image cards previously covered by AquaLibs.